Difference between revisions of "Template:POTD protected"

Latest revision as of 16:23, 17 October 2025

Qebehsenuef is one of the four sons of Horus, along with Hapy, Duamutef, and Imsety. Qebehsenuef is usually portrayed with the head of a falcon. In a funerary context, he was responsible for protecting the intestines of mummified people. As ruler of one of the four cardinal directions, Qebehsenuef was associated with the west. Although Qebehsenuef is most prominently found in funerary context as a canopic jar, he is possibly more closely associated with the Egyptian decans. Dutch Egyptologist Maarten Raven argues that the four sons originated as celestial deities, given that the Pyramid Texts frequently connect them with the sky and that Horus himself was a sky deity.

Photo credit: The Metropolitan Museum

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-|style="padding:0 0.9em 0 0;" | [[File:Oxira 1.jpg|300px|thumb|]]
+|style="padding:0 0.9em 0 0;" | [[File:Qebehsenuef Figure.jpg|300px|thumb|]]
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-'''[[Candomblé]]''' is an [[African diaspora religion]] that developed in Brazil during the 19th century. It arose through a process of syncretism between several of the traditional religions of West and Central Africa, especially those of the Yoruba, Bantu, and Gbe, coupled with influences from [[Christianity|Roman Catholicism]].
+'''[[Qebehsenuef]]''' is one of the four sons of [[Horus]], along with [[Hapy]], [[Duamutef]], and [[Imsety]]. Qebehsenuef is usually portrayed with the head of a falcon. In a funerary context, he was responsible for protecting the intestines of mummified people. As ruler of one of the four cardinal directions, Qebehsenuef was associated with the west. Although Qebehsenuef is most prominently found in funerary context as a canopic jar, he is possibly more closely associated with the [[Egyptian decans]]. Dutch Egyptologist Maarten Raven argues that the four sons originated as celestial deities, given that the [[Pyramid Texts]] frequently connect them with the sky and that [[Horus]] himself was a sky deity.
-Candomblé revolves around spirits termed ''orixás'' (orishas) or ''santos'' ("[[saint]]s"). Believed to mediate between humanity and Olorun, the ''orixás'' have been varyingly conceived as ancestral figures, or embodiments of forces of nature. Each ''orixá'' equates with a Roman Catholic [[saint]]. In Candomblé altars, the ''orixás'' are often represented with images and statues of Roman Catholic saints.
-Although it is usually a dancer who becomes possessed, sometimes spectators will too. A possessed person is called a ''cavalo'' (horse); being possessed by the ''orixá'' is deemed a privilege.
+<p><small>Photo credit: The Metropolitan Museum</small></p>
-<p><small>Photographer: [[Travis McHenry]]</small></p>
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Difference between revisions of "Template:POTD protected"

Latest revision as of 16:23, 17 October 2025

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