Difference between revisions of "Template:POTD protected"

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'''''[[The Holy Mountain]]''''' is a 1973 Mexican surrealist film directed, written, produced, co-scored, co-edited by and starring Alejandro Jodorowsky, who also participated as a set designer and costume designer on the film. The film is based on ''Ascent of Mount Carmel'' by John of the Cross and ''[[Mount Analogue]]'' by René Daumal. In this film, much of Jodorowsky's visually psychedelic story follows the metaphysical thrust of ''Mount Analogue''. This is revealed in such events as the climb to the [[alchemy|alchemist]], the assembly of individuals with specific skills, the discovery of the mountain that unites [[Heaven]] and [[Earth]] "that cannot not exist," and symbolic challenges along the mountain ascent.
'''[[Qebehsenuef]]''' is one of the four sons of [[Horus]], along with [[Hapy]], [[Duamutef]], and [[Imsety]]. Qebehsenuef is usually portrayed with the head of a falcon. In a funerary context, he was responsible for protecting the intestines of mummified people. As ruler of one of the four cardinal directions, Qebehsenuef was associated with the west. Although Qebehsenuef is most prominently found in funerary context as a canopic jar, he is possibly more closely associated with the [[Egyptian decans]]. Dutch Egyptologist Maarten Raven argues that the four sons originated as celestial deities, given that the [[Pyramid Texts]] frequently connect them with the sky and that [[Horus]] himself was a sky deity.




<p><small>Author: Alejandro Jodorowsky</small></p>
<p><small>Photo credit: The Metropolitan Museum</small></p>
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Latest revision as of 16:23, 17 October 2025

Qebehsenuef Figure.jpg

Qebehsenuef is one of the four sons of Horus, along with Hapy, Duamutef, and Imsety. Qebehsenuef is usually portrayed with the head of a falcon. In a funerary context, he was responsible for protecting the intestines of mummified people. As ruler of one of the four cardinal directions, Qebehsenuef was associated with the west. Although Qebehsenuef is most prominently found in funerary context as a canopic jar, he is possibly more closely associated with the Egyptian decans. Dutch Egyptologist Maarten Raven argues that the four sons originated as celestial deities, given that the Pyramid Texts frequently connect them with the sky and that Horus himself was a sky deity.


Photo credit: The Metropolitan Museum

(More Images)