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No complete deck has survived; rather, some collections boast a few face cards, while some consist of a single card. They are the oldest surviving tarot cards and date back to a period when tarot was still called ''Trionfi'' cards, and used for playing everyday card games. They were commissioned by Filippo Maria Visconti, the Duke of Milan, and by his successor and son-in-law Francesco Sforza. They had a significant impact on the visual composition, card numbering and interpretation of modern Tarot decks.
No complete deck has survived; rather, some collections boast a few face cards, while some consist of a single card. They are the oldest surviving tarot cards and date back to a period when tarot was still called ''Trionfi'' cards, and used for playing everyday card games. They were commissioned by Filippo Maria Visconti, the Duke of Milan, and by his successor and son-in-law Francesco Sforza. They had a significant impact on the visual composition, card numbering and interpretation of modern Tarot decks.


The surviving cards are of particular historical interest because of the beauty and detail of the design, which was often executed in precious materials and often reproduce members of the Visconti and Sforza families in period garments and settings. Consequently, the cards also offer a glimpse of nobiliary life in Renaissance Milan, which the Visconti called home since the 13th century.
'''([[Visconti-Sforza Tarot|Full Article...]])'''
'''([[Visconti-Sforza Tarot|Full Article...]])'''
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