Difference between revisions of "Template:POTD protected"

no edit summary
 
(62 intermediate revisions by the same user not shown)
Line 1: Line 1:
{| role="presentation" style="margin:0 3px 3px; width:100%; text-align:left; background-color:transparent; border-collapse: collapse; "
{| role="presentation" style="margin:0 3px 3px; width:100%; text-align:left; background-color:transparent; border-collapse: collapse; "
|style="padding:0 0.9em 0 0;" | [[File:Incantation bowl Lilith.jpg|300px|thumb|]]
|style="padding:0 0.9em 0 0;" | [[File:Stelae of Ankh-af-na-khonsu.jpg|300px|thumb|]]
|style="padding:0 6px 0 0"|
|style="padding:0 6px 0 0"|


An individual '''[[Lilith]]''', along with Bagdana "king of the lilits", is one of the demons to feature prominently in protective spells in the eighty surviving Jewish [[occult]] incantation bowls from Sassanid Empire Babylon (4th–6th century AD) with influence from Iranian culture. These bowls were buried upside down below the structure of the house or on the land of the house, in order to trap the demon. Almost every house was found to have such protective bowls against [[demon]]s.
The '''[[Stele of Ankh-ef-en-Khonsu]]''' (also known as the '''Stele of Revealing''') is a painted, wooden offering stele located in Cairo, Egypt. The designation of this object as the "Stele of Revealing" was given in April 1904 by the [[occultist]] [[Aleister Crowley]], in connection with his ''[[The Book of the Law]]''. According to Crowley, his wife Rose had already reported a revelation from the god [[Horus]], through his messenger [[Aiwass]]. The couple went to the newly opened Egyptian Museum (where the stela had been moved), to see if she could recognize Horus on Monday, March 21, 1904. Rose recognized an image of the god on this painted stele, which at the time bore the catalogue number [[666]], a number holding religious significance in [[Thelema]].


The center of the inside of the bowl depicts Lilith, or the male form, Lilit. Surrounding the image is writing in spiral form; the writing often begins at the center and works its way to the edge. The writing is most commonly scripture or references to the Talmud. The incantation bowls which have been analysed, are inscribed in the following languages, Jewish Babylonian Aramaic, Syriac, Mandaic, Middle Persian, and Arabic. Some bowls are written in a false script which has no meaning.


<p><small>Photo Credit: University of Pennsylvania Museum of Archaeology and Anthropology</small></p>
<p><small>Credit: Cairo Museum</small></p>
[[:Category:Images|'''(More Images)''']]
[[:Category:Images|'''(More Images)''']]
<div class="potd-recent" style="text-align:right;">
<div class="potd-recent" style="text-align:right;">