Difference between revisions of "Exorcist"

12 bytes added ,  15:01, 5 March 2023
Line 17: Line 17:


==In popular culture==
==In popular culture==
The Exorcist is the name of a 1973 American supernatural horror film directed by William Friedkin and written for the screen by William Peter Blatty, based on his 1971 novel of the same name. It was the first installment in The Exorcist film series, and follows the demonic possession of a young girl and her mother's attempt to rescue her through an exorcism conducted by a pair of Catholic priests.
''The Exorcist'' is the name of a 1973 American supernatural horror film directed by William Friedkin and written for the screen by William Peter Blatty, based on his 1971 novel of the same name. It was the first installment in ''The Exorcist'' film series, and follows the demonic possession of a young girl and her mother's attempt to rescue her through an exorcism conducted by a pair of Catholic priests.


The resulting cultural conversation around the film, which also encompassed its treatment of Catholicism, helped it become the first horror film to be nominated for the Academy Award for Best Picture. It was the highest-grossing R-rated horror film (unadjusted for inflation) until the 2017 release of It. The Exorcist has had a significant influence on popular culture and has received critical acclaim, with several publications regarding it as one of the greatest horror films ever made.
The resulting cultural conversation around the film, which also encompassed its treatment of Catholicism, helped it become the first horror film to be nominated for the Academy Award for Best Picture. It was the highest-grossing R-rated horror film (unadjusted for inflation) until the 2017 release of It. ''The Exorcist'' has had a significant influence on popular culture and has received critical acclaim, with several publications regarding it as one of the greatest horror films ever made.


In 2010, the Library of Congress selected the film to be preserved in its National Film Registry, citing it as "culturally, historically, or aesthetically significant."
In 2010, the Library of Congress selected the film to be preserved in its National Film Registry, citing it as "culturally, historically, or aesthetically significant."