Difference between revisions of "Hathor"

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(Created page with "500px|thumb|Hathor in human form '''Hathor''' (Ancient Egyptian: ''ḥwt-ḥr'') was a major goddess in ancient Egyptian religion who played a...")
 
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Hathor's joyful, ecstatic side indicates her feminine, procreative power. In some creation myths she helped produce the world itself. Atum, a creator god who contained all things within himself, was said to have produced his children [[Shu]] and Tefnut, and thus begun the process of creation, by masturbating. The hand he used for this act, the Hand of Atum, represented the female aspect of himself and could be personified by Hathor, Nebethetepet, or another goddess, Iusaaset.
Hathor's joyful, ecstatic side indicates her feminine, procreative power. In some creation myths she helped produce the world itself. Atum, a creator god who contained all things within himself, was said to have produced his children [[Shu]] and Tefnut, and thus begun the process of creation, by masturbating. The hand he used for this act, the Hand of Atum, represented the female aspect of himself and could be personified by Hathor, Nebethetepet, or another goddess, Iusaaset.


Hathor could be the consort of many male gods, of whom Ra was only the most prominent. Mut was the usual consort of Amun, the preeminent deity during the New Kingdom who was often linked with Ra. But Mut was rarely portrayed alongside Amun in contexts related to sex or fertility, and in those circumstances, Hathor or [[Isis]] stood at his side instead. In the late periods of Egyptian history, the form of Hathor from Dendera and the form of [[Horus]] from Edfu were considered husband and wife and in different versions of the myth of the Distant Goddess, Hathor-Raettawy was the consort of Montu and Hathor-Tefnut the consort of Shu.
Hathor could be the consort of many male gods, of whom Ra was only the most prominent. Mut was the usual consort of [[Amun-Ra|Amun]], the preeminent deity during the New Kingdom who was often linked with Ra. But Mut was rarely portrayed alongside Amun in contexts related to sex or fertility, and in those circumstances, Hathor or [[Isis]] stood at his side instead. In the late periods of Egyptian history, the form of Hathor from Dendera and the form of [[Horus]] from Edfu were considered husband and wife and in different versions of the myth of the Distant Goddess, Hathor-Raettawy was the consort of Montu and Hathor-Tefnut the consort of Shu.


===Motherhood and queenship===
===Motherhood and queenship===
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==Festivals==
==Festivals==
[[File:Hathor Dendera-B.jpg|400px|thumb|Hathor as depicted on the [[Zodiac]] ceiling of Dendera]]
[[File:Hathor Dendera-B.jpg|400px|thumb|Hathor as depicted on the [[Zodiac]] ceiling of Dendera]]
Many of Hathor's annual festivals were celebrated with drinking and dancing that served a ritual purpose. Revelers at these festivals may have aimed to reach a state of religious ecstasy, which was otherwise rare or nonexistent in ancient [[Egyptian religion]]. Graves-Brown suggests that celebrants in Hathor's festivals aimed to reach an altered state of consciousness to allow them interact with the divine realm. An example is the Festival of Drunkenness, commemorating the return of the Eye of Ra, which was celebrated on the twentieth day of the month of Thout at temples to Hathor and to other Eye goddesses. It was celebrated as early as the Middle Kingdom, but it is best known from Ptolemaic and Roman times. The dancing, eating and drinking that took place during the Festival of Drunkenness represented the opposite of the sorrow, hunger, and thirst that the Egyptians associated with death. Whereas the rampages of the Eye of Ra brought death to humans, the Festival of Drunkenness celebrated life, abundance, and joy.
Many of Hathor's annual festivals were celebrated with drinking and dancing that served a ritual purpose. Revelers at these festivals may have aimed to reach a state of religious ecstasy, which was otherwise rare or nonexistent in ancient [[Egyptian religion]]. Graves-Brown suggests that celebrants in Hathor's festivals aimed to reach an altered state of consciousness to allow them interact with the divine realm. An example is the Festival of Drunkenness, commemorating the return of the Eye of Ra, which was celebrated on the twentieth day of the month of Thout at temples to Hathor and to other Eye goddesses. It was celebrated as early as the Middle Kingdom, but it is best known from Ptolemaic and Roman times. The dancing, eating and drinking that took place during the Festival of Drunkenness represented the opposite of the sorrow, hunger, and thirst that the Egyptians associated with death. Whereas the rampages of the Eye of Ra brought death to humans, the Festival of Drunkenness celebrated life, abundance, and joy.


In a local Theban festival known as the Beautiful Festival of the Valley, which began to be celebrated in the Middle Kingdom, the cult image of Amun from the Temple of Karnak visited the temples in the Theban Necropolis while members of the community went to the tombs of their deceased relatives to drink, eat, and celebrate.
In a local Theban festival known as the Beautiful Festival of the Valley, which began to be celebrated in the Middle Kingdom, the cult image of [[Amun-Ra|Amun]] from the Temple of Karnak visited the temples in the Theban Necropolis while members of the community went to the tombs of their deceased relatives to drink, eat, and celebrate.


Several temples in Ptolemaic times, including that of Dendera, observed the Egyptian new year with a series of ceremonies in which images of the temple deity were supposed to be revitalized by contact with the sun god. On the days leading up to the new year, Dendera's statue of Hathor was taken to the wabet, a specialized room in the temple, and placed under a ceiling decorated with images of the sky and sun. On the first day of the new year, the first day of the month of Thoth, the Hathor image was carried up to the roof to be bathed in genuine sunlight.
Several temples in Ptolemaic times, including that of Dendera, observed the Egyptian new year with a series of ceremonies in which images of the temple deity were supposed to be revitalized by contact with the sun god. On the days leading up to the new year, Dendera's statue of Hathor was taken to the wabet, a specialized room in the temple, and placed under a ceiling decorated with images of the sky and [[sun]]. On the first day of the new year, the first day of the month of Thoth, the Hathor image was carried up to the roof to be bathed in genuine sunlight.


===Festival of the Beautiful Reunion===
===Festival of the Beautiful Reunion===
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==Worship==
==Worship==
Hathor was one of a handful of deities, including Amun, [[Ptah]], and [[Thoth]], who were commonly prayed to for help with personal problems. Many Egyptians left offerings at temples or small shrines dedicated to the gods they prayed to. Most offerings to Hathor were used for their symbolism, not for their intrinsic value. Cloths painted with images of Hathor were common, as were plaques and figurines depicting her animal forms.
Hathor was one of a handful of deities, including [[Amun-Ra|Amun]], [[Ptah]], and [[Thoth]], who were commonly prayed to for help with personal problems. Many Egyptians left offerings at temples or small shrines dedicated to the gods they prayed to. Most offerings to Hathor were used for their symbolism, not for their intrinsic value. Cloths painted with images of Hathor were common, as were plaques and figurines depicting her animal forms.


Different types of offerings may have symbolized different goals on the part of the donor, but their meaning is usually unknown. Images of Hathor alluded to her mythical roles, like depictions of the maternal cow in the marsh. Offerings of sistra may have been meant to appease the goddess's dangerous aspects and bring out her positive ones, while phalli represented a prayer for fertility, as shown by an inscription found on one example.
Different types of offerings may have symbolized different goals on the part of the donor, but their meaning is usually unknown. Images of Hathor alluded to her mythical roles, like depictions of the maternal cow in the marsh. Offerings of sistra may have been meant to appease the goddess's dangerous aspects and bring out her positive ones, while phalli represented a prayer for fertility, as shown by an inscription found on one example.