Difference between revisions of "Black Mass"

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==Connection with witchcraft==
==Connection with witchcraft==
[[File:La Voisin Black Mass.jpg|400px|thumb|The Guibourg Mass by Henry de Malvost, from the book ''Le Satanisme et la magie'' by Jules Bois]]
[[File:La Voisin Black Mass.jpg|400px|thumb|The Guibourg Mass by Henry de Malvost, from the book ''Le Satanisme et la magie'' by Jules Bois]]
A further source of late Medieval and Early Modern involvement with parodies and alterations of the Mass, were the writings of the European [[witch-hunt]], which saw [[witch]]es as being agents of [[the Devil]], who were described as inverting the Christian Mass and employing the stolen Host for diabolical ends. Witch-hunter's manuals such as the ''[[Malleus Maleficarum]]'' (1487) and the ''Compendium Maleficarum'' (1608) allude to these practices, although they bore little basis in reality. The first complete depiction of a blasphemy of the Mass in connection with the witches' [[sabbath]], was given in Florimond de Raemond's 1597 French work, ''The Antichrist'' (written as a Catholic response to the Protestant claim that the Pope was the Antichrist).
A further source of late Medieval and Early Modern involvement with parodies and alterations of the Mass, were the writings of the European [[witch-hunt]], which saw [[witch]]es as being agents of [[the Devil]], who were described as inverting the Christian Mass and employing the stolen Host for diabolical ends. Witch-hunter's manuals such as the ''[[Malleus Maleficarum]]'' (1487) and the ''Compendium Maleficarum'' (1608) allude to these practices, although they bore little basis in reality. The first complete depiction of a blasphemy of the Mass in connection with the witches' [[sabbat|sabbath]], was given in Florimond de Raemond's 1597 French work, ''The Antichrist'' (written as a Catholic response to the Protestant claim that the Pope was the Antichrist).


The most sophisticated and detailed descriptions of the Black Mass to have been produced in early modern Europe are found in the Basque witch-hunts of 1609–1614. It has recently been argued by academics including Emma Wilby that the emphasis on the Black Mass in these trials evolved out of a particularly creative interaction between interrogators keen to find evidence of the rite and a Basque peasants who were deeply committed to a wide range of unorthodox religious practices such as "cursing" Masses, liturgical misrule and the widespread misuse of Catholic ritual elements in forbidden magical conjurations.
The most sophisticated and detailed descriptions of the Black Mass to have been produced in early modern Europe are found in the Basque witch-hunts of 1609–1614. It has recently been argued by academics including Emma Wilby that the emphasis on the Black Mass in these trials evolved out of a particularly creative interaction between interrogators keen to find evidence of the rite and a Basque peasants who were deeply committed to a wide range of unorthodox religious practices such as "cursing" Masses, liturgical misrule and the widespread misuse of Catholic ritual elements in forbidden magical conjurations.